One etude or caprice by Mazas, Dont, Kreutzer, Rode, etc. Paul Shewan (Director of Instrumental Studies) at String RequirementsĪ movement from unaccompanied Bach or a movement from a standard concerto or short, solo works (eg. *if you have any questions about your selections, please contact Dr. Sign reading may be included as part of the audition. Movements from works by Bach, Creston, Fasch, Glazounov, Heiden, Ibert, Lunde, Milhaud, Smith, and/or Villa-Lobos.īe prepared to play all major scales (low b flat to high F). Solos by Weber, Mozart, Osborn, Hindemith, or similar. Two works of contrasting styles and one etude from Ferling or Barret.Įtudes from 32 Etudes by Cyrille Rose. Paul Shewan (Director of Instrumental Studies) at Woodwind Requirements Solos by Bozza Dukas, Villanelle Concerti by Haydn, Mozart, Strauss Sonatas by Beethoven and Hindemith Saint-Saens, Morceau de Concert F. Two contrasting movements or pieces from different periods (demonstrating slow lyrical playing and fast passage work). Etudes from Bordogni/Rochut, Tyrell, Kopprasch or equivalent. One solo from the standard repertoire by Marcello, Mozart (bsn cto.), Clarke, Bach (cello suites), Jacob, Sparke, York or equivalent. Etudes by Bordogni, Blazhevich, Grigoriev, Kopprasch or equivalent. One solo from the standard repertoire by Hindemith, Wilder, Persichetti, Hartley, Marcello, Nelhybel, York or equivalent. 1 or 3 Concerti by Haydn, Hummel, Arutunian, Corelli Goedicke, Concert Etude Solos by Arban or Clarke, Etudes by Charlier, or similar. One solo from the standard repertoire by David, Barat, Guilmant, Telemann, Pryor, Hindemith or equivalent.Įtudes by Bordogni, Kopprasch, Blazhevich, or equivalent. *if you have any questions about your selections, please contact Professor Joseph Werner (Director of Piano Studies) at Brass Requirements Memorization is encouraged, but not required. For example, one piece from the baroque or classical period, and one piece from the romantic or 20th century. Two contrasting compositions or movements from different periods. For further information, please contact the Department of Music and Performing Arts at Piano/Organ Requirements In this case, music scores must be sent to the RWC Music Office at least three weeks prior to the audition date. Īn accompanist will be provided upon request. If you have any questions about your selections, please contact Professor Constance Fee (Director of Vocal Studies) at. The selections must be chosen from the standard classical vocal repertoire, show contrasting musical and historical styles, and include at least one language other than English. One additional song of your choice from traditional vocal literature (musical theater selections, jazz, or original compositions are not acceptable).One 20 th or 21 st century American or British art song.Original language is recommended, but this piece may be sung in English. One 19 th or 20 th century German or French art song.One 16 th-18 th century Italian song or aria, in Italian.For Vocal Performance applicants, please choose three: For Music Education, Music Therapy, and BA applicants, please choose two pieces from the following list. The entrance audition demonstrates the student's ability to sing in tune, with correct rhythm, and good vocal quality. Home - Department of Music and Performing Arts - Audition Information - Requirements Audition Requirements Voice Requirements
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